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Search Results 767 elementos encontrados para "" Concierto 2 - 07.03.2023 < Back Concierto 2 - 07.03.2023 Concierto - Día 2 Previous Next Para más información escribir a info@visionessonoras.org | For more information write to info@visionessonoras.org IdeasSonicas/SonicIdeas 23 © Copyright CMMAS 2006 - 2024. Todos los derechos reservados. Programa Digital Bridge Cutzi Jurhiata (Méx​ic​o) Freya Edmondes (Reino Unido) Sarmen Almond (Méx​ic​o) Xexa (Reino Unido) < Back Programa Digital Bridge Cutzi Jurhiata (Méx​ic​o) Freya Edmondes (Reino Unido) Sarmen Almond (Méx​ic​o) Xexa (Reino Unido) Conferencia - Día 4 Descripción | Abstract En abril del 2022, lanzamos una convocatoria abierta para compositoras, creadoras de música y artistas de genero femenino y otras minorias de genero que trabajan con música electrónica y/o usan tecnología digital dentro de su práctica creativa. El proyecto unió a dos compositoras con sede en el Reino Unido con dos en México y durante el año, cada pareja recibió apoyo para explorar una nueva colaboración internacional y crear nuevas obras sonoras. Las parejas que colaboraron son: Freya Edmondes (UK) + Cutzi Hamid (MEX) y XEXA (UK) + Sarmen Almond (MEX). Las dos obras sonoras creadas como parte de este proyecto fueron copatrocinadas por todos los socios y se estrenarán como parte de un evento digital único. Las obras se compartirán a través de nuestros canales sociales, boletines y se alojarán de forma permanente en los sitios web de British Music Collection y CMMAS. Cutzi Hamid Sánchez (México) Cutzi es una compositora trans-disciplinaria, ingeniera en ruiditos, artista sonora y ejecutante centrada en la relación entre los sonidos de diferentes áreas. Estudiante de la UNAM ENES MORELIA en Música y Tecnología Artística, y egresada del Propedéutico en Contrabajo de la UMICH, así como de la EIAA Uruapan en guitarra. Ha participado como ponente en el encuentro Transferencias Aurales: 1er Encuentro Latinoamericano de Música y Tecnología con la conferencia "Oye, creo que hay un poco de originalidad en tu copia", y en convocatorias como el Flash ACT 2022 con el equipo Les Aterrades con el Proyecto Ensayo sobre la Lentitud resultando como el equipo ganador, así como en la convocatoria Digital Bridge del CMMAS y el Sound and Music Fest entre Inglaterra y México, y más recientemente fue seleccionada para la convocatoria Festival Universitat Welcome to Planet B en Austria, dando una conferencia al respecto en el Visiones Sonoras 18 organizado por el CMMAS. Freya Edmondes (Elvin Brandhi) (Gales) Elvin Brandhi is an improvising lyricist and beat producer instigating projects of improvised socio-aesthetic overflow expanding haphazardly with circus intent. The main body of her education takes shape via contextual shifts and collaborations, as alternative to institutional micro-mythological artistic specialisation and ladder climbing self-optimisation. Her practice involves performing wherever and whenever possible, composing audio-sonic essays, videos, sample-based beats and theatrical public hacking. She uses sound and image as an expansive gestural-emotive language transgressing intrinsic systemics and inherited syntactical etiquettes. Her performances are unyielding bursts of erupting animation where her caustic stream of consciousness cavorts with restless, glitched out heaviness. She currently has no base, expanding sonic mutation as a constantly morphing communicational code. XEXA (Portugal / São Tomé e Principe) XEXA, is a Portuguese multidisciplinary Afrofuturistic artist, with Sao Tome ancestry. She is based between London and Lisbon. A producer, singer and sound designer who has been illustrating new aesthetics and new paradigms of sound. Her work reflects the exploration of sounds, making a hybrid of traditional African rhythms with synthesisers, sound design and voice. She is represented by the Portuguese record label Principe Discos, since late 2021. Sarmen Almond (México) Mexican musician and voice performer. Intermedia artist and voice teacher trained on the Roy Hart tradition. Master of Sound Arts (Queen’s University Belfast). PhD arts INBA Sarmen uses the voice and its relationship with electronic media to create compositions and decomposition of the personality on stage. She’s constantly chasing a quest of the infinite vocal possibilities that the human body utters as instrument as well as the reflection of these sounds in physical and imaginary spaces. Almond makes use of resources of free improvisation, extended vocal techniques, programming and body work.- She has performed as composer and vocalist in Mexico, Aberdeen, London, Belfast, France, Seville, Edinburgh, Prague, Manchester, Falmouth, Sheffield, The Hague, Utrecht, York, Barcelona, Singapore, Canada, among others. Previous Next Para más información escribir a info@visionessonoras.org | For more information write to info@visionessonoras.org Tullis Rennie (Reino Unido) - Quiet Activism: listening to the individual < Back Tullis Rennie (Reino Unido) - Quiet Activism: listening to the individual Conferencia - Día 3 Descripción | Abstract SPARC members have invited guest artists to engage in conversation in relation to the thematic focus of climate change, and additionally related to the artist-researcher’s background and research interest. Through shared listening activity and dialogue addressing the broad theme and current critical aspects of climate change, the artists co-create sonic documents: threads and traces of dialogue and attention to sound. This collaborative process - detailed in this talk - feeds the recorded outcomes into a new semi-improvised performance, presented by Tullis Rennie. Dr Tullis Rennie with Dr Aaron Einbond Dr Claudia Molitor Dr Joseph Browning Previous Next Para más información escribir a info@visionessonoras.org | For more information write to info@visionessonoras.org HUMMEL Yérri-Gaspar (Francia) - Resilient listening < Back HUMMEL Yérri-Gaspar (Francia) - Resilient listening Conferencia - Día 2 Descripción | Abstract Labutineuse is a sound installation about bees and our five senses. This ecological and social project highlights the fragility of the bees' life. At the same time, the skyscrapers claim an intensive culture that will never touch the sky; on the other hand, the empty hives are amplified by sound sequences reminding us of the close link between nature, bees and humans. This double criticism is accompanied by empty and vibrating hives where the spectator can imagine his own fate in front of a recognized massacre. The sound sequences highlight the movements of the movements translated into data and transformed into sound; on the other side, the sound of the bees' wings and the life of the apiary remind us of the sweet song of the mellifers. As you approach the hives, feel, vibrate, listen, see and maybe...taste! HUMMEL Yérri-Gaspar Born in 1982. Y-G Hummel (A.K.A. Kaspår) Specializes In A Musical Practice Centered Around The Notions Of The Situation Of Sound In Space. Yérri-Gaspar Hummel Is A Musician, Composer And Director Of The Exhibitronic Festival And The Sound Research Laboratory Lab’ut. Previous Next Para más información escribir a info@visionessonoras.org | For more information write to info@visionessonoras.org IdeasSonicas/SonicIdeas 23 © Copyright CMMAS 2006 - 2024. Todos los derechos reservados. 23rd JEU DE TEMPS / TIMES PLAY IN COLLABORATION WITH CMMAS Ir a cmmas.org < Back 23rd JEU DE TEMPS / TIMES PLAY IN COLLABORATION WITH CMMAS JUEVES 22 DE JUNIO 2023 Descubre el Acervo CMMAS Previous Next Merlin Campbell (Canadá) - Raising awareness of climate change issues through videomusic < Back Merlin Campbell (Canadá) - Raising awareness of climate change issues through videomusic Conferencia - Día 5 Descripción | Abstract The videomusic work presented by Merlin Campbell deals with the migration of snow geese, climate change and more particularly the impact of humans on the life of these migratory birds. Campbell's piece seeks to depict the physical, cognitive, and emotional chaos that snow geese experience during their migration process between the Arctic and the eastern seaboard of the United States. As part of this lecture, the artist will briefly discuss his master's research-creation work, the concept of his work and his creative process. Merlin Campbell is an audio.visual artist from Saint-Hyacinthe (Quebec, Canada). He holds a Bachelor of Fine Arts from Concordia University and a D.E.S.S. in digital music from the University of Montreal. Campbell is currently pursuing his master's studies in composition and sound creation at the Faculty of Music of the University of Montreal under the supervision of Myriam Boucher. As an artist and researcher member of the OICRM, his research-creation works take the form of installations and performances. He is interested in monumental in situ audiovisual immersion as well as the physicality of sound, image and space. His works are essentially created to be broadcast in unconventional controlled environments and require the creation of multi-screen and multi-speaker devices that he conceptualizes according to the space where he broadcasts his work. Previous Next Para más información escribir a info@visionessonoras.org | For more information write to info@visionessonoras.org Leigh Landy (Reino Unido) - Art for Life's Sake (Arte para la vida) < Back Leigh Landy (Reino Unido) - Art for Life's Sake (Arte para la vida) Conferencia - Día 2 Descripción | Abstract Much innovative music has primarily reached a specialist public reflecting an ethos of ‘art for art’s sake’. In this talk, this elitist attitude will be challenged. It will be proposed that making music with real-world sounds, reflecting today’s sampling culture, offers a unique opportunity to connect with anyone’s lived experience. It is therefore proposed that art for art’s sake might be replaced by art for life’s sake. Taking this year’s theme into account, we are able to focus on current topics such as climate change and create powerful sonic experiences that are not only innovative, but also engaging and inclusive. Leigh Landy ( llandy.dmu.ac.uk ) holds a Research Chair at De Montfort University (Leicester, UK) where he directs the Music, Technology and Innovation – Institute for Sonic Creativity (MTI2). His scholarship is divided between creative and musicological work. His compositions, many of which are sample based, include several for video, dance and theatre and have been performed around the globe. His publications focus primarily on the studies of electroacoustic music. He is editor of “Organised Sound” (Cambridge) and author of eight books including “What’s the Matter with Today’s Experimental Music?”. “Understanding the Art of Sound Organization” (MIT Press) and “The Music of Sounds” (Routledge, 2012). He recently completed two books, “On the Music of Sounds and the Music of Things” with John Richards and “Experiencing Organised Sounds” which are being prepared for publication. He directs the ElectroAcoustic Resource Site (EARS) projects and is a founding director of the Electroacoustic Music Studies Network (EMS). Previous Next Para más información escribir a info@visionessonoras.org | For more information write to info@visionessonoras.org Concierto: Carlos Maldonado Ir a cmmas.org < Back Concierto: Carlos Maldonado Viernes 7 de junio 2024 Descubre el Acervo CMMAS Previous Next Concierto: Panspermia Ir a cmmas.org < Back Concierto: Panspermia JUEVES 25 DE ABRIL 2024 Descubre el Acervo CMMAS Previous Next Ensemble SAPIACE Ir a cmmas.org < Back Ensemble SAPIACE Viernes 28 DE OCTUBRE 2022 Descubre el Acervo CMMAS Previous Next Anterior 1 2 3 4 5 ... 64 Siguiente