Oliver Ressler (Austria) - Everything's coming together while everything's falling apart
Is an artist and filmmaker who produces installations, projects in public space, and films on issues such as economics, democracy, migration, the climate crisis, forms of resistance and social alternatives.
Ressler has had solo exhibitions at Berkeley Art Museum, USA; Museum of Contemporary Art, Belgrade; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; The Cube Project Space, Taipei; Kunsthaus Graz, Graz and comprehensive solo exhibitions at Wyspa Institute of Art, Gdansk; Lentos Kunstmuseum, Linz; Centro Andaluz de Arte Contemporaneo – CAAC, Seville; SALT Galata, Istanbul; MNAC – National Museum of Contemporary Art, Bucharest; and Cultural Centre of Belgrade.
Ressler has participated in more than 400 group exhibitions, including Museo Reina Sofía, Madrid; Van Abbe Museum, Eindhoven; MASSMoCA, North Adams, USA; Centre Pompidou, Paris; the biennials in Prague (2005), Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013), Athens (2013, 2015), Quebec (2014), Helsinki (2014), Jeju (2017), Kyiv (2017), Gothenburg (2019) and Stavanger (2019), and at Documenta 14, Kassel, 2017 (exhibition organized by EMST).
Ressler has completed thirty-eight films that have been screened in thousands of events of social movements, art institutions and film festivals. A retrospective of his films took place at Centre d’Art Contemporain Genève in 2013.
In 2002, Ressler won the first prize at the International Media Art Award of the ZKM in Karlsruhe and he is the first prize winner of the newly established Prix Thun for Art and Ethics Award in 2016.
For the Taipei Biennale 2008, Ressler curated an exhibition on the counter-globalization movement, A World Where Many Worlds Fit. A travelling show on the financial crisis, It’s the Political Economy, Stupid, co-curated with Gregory Sholette, has been presented at nine venues (2011-2016), including Pori Art Museum in 2013.
Since 2019 Ressler directs Barricading the Ice Sheets, a research project on the climate justice movement, funded by the Austrian Science Fund, that will lead to an exhibition at Camera Austria in Graz in September 2021.
Everything's coming together while everything's falling apart
Not too long ago, global warming was science fiction. Now it has become hard science, and a reality we already live in. The latest reports from the sober Intergovernmental Panel on Climate Change (IPCC) suggest that the planet may be approaching multiple thresholds of irreversible damage faster than was ever anticipated.
The title “Everything’s coming together while everything’s falling apart” refers to a situation in which all the technology needed to end the age of fossil fuel already exists. Whether the present ecological, social and economic crisis will be overcome is primarily a question of political power. The climate movement is now stronger than ever. It obstructed pipeline projects such as the Keystone XL tar sands pipeline. It stopped Arctic drilling and blocked fracking all over the globe. Coal-fired power plants were shut down by resistance, and the divestment movement that pressures institutions to unload their stocks from fossil fuel corporations has had successes.
The story of this ongoing film project may turn out to be a story of the beginning of the climate revolution, the moment when popular resistance began to reconfigure the world. The project follows the climate movement in its struggles to dismantle an economic system heavily dependent on fossil fuels. It records key events for the climate movement, bringing together many situations, contexts, voices and experiences. There is one film for each event.
Everything's coming together while everything's falling apart: Code Rood” - 2018
The film highlights the civil disobedience action “Code Rood” in the port of Amsterdam in June 2017. The blockade of Europe’s second-largest coal port draws a red line against this important infrastructure facility for fossil capitalism. The largest single source of the coal shipments is Colombia, where coal is extracted under ecologically and socially devastating conditions.
“Everything's coming together while everything's falling apart: The ZAD” - 2017
The film on the ZAD focuses on Europe’s largest autonomous territory, located close to Nantes in France. The ZAD (zone to defend) emerged from the struggle against a new airport. In 2012 the French state's attempt to evict the zone was fiercely resisted by more than 40,000 people. The police have not set foot there since. Today 250 people in 60 collectives live permanently at the ZAD occupying the wetlands, fields and forests. The ZAD is a successful example of the way resistance and the creation of alternatives need to happen at the same time. While people take back control over their lives with self-organized bakeries, workshops, a brewery, medicinal herb gardens, a rap studio, weekly newspaper and a library, they hinder the construction of an unnecessary, ecologically disastrous airport project. The film is built around a group discussion with activists living at the ZAD.
“Everything's coming together while everything's falling apart: Ende Gelände” - 2016
The film on the Ende Gelände (end of the road) action shifts the focus to a massive civil disobedience action at the Lusatia lignite coal fields (near Berlin). 4,000 activists entered an open-cast mine, blocking the loading station and the rail connection to a coal-fired power plant. The blockades disrupted the coal supply and forced the Swedish proprietor Vattenfall to shut the power station down. The action was part of an international “global escalation” against the fossil fuel industry, calling on the world to “Break Free from Fossil Fuels” and putting that imperative directly into practice.
“Everything's coming together while everything's falling apart: COP21” - 2016
In the first film, activists contest the UN Climate Change Conference in Paris, a city then under a state of emergency. Like twenty failed annual climate conferences before it, COP21 in Paris in 2015 proved the incapacity of governments to commit themselves to any binding agreement that would curtail global warming through a definite strategy for the end of fossil fuel use. The resulting Climate Agreement avoids anything that would harm the economic interests of corporations. The governments now pretending that non-binding agreements can hold back climate change are the same ones whose binding free trade pacts make dead letter of local environmental and climate legislation.
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